As my earlier posts have noted, I have been exploring various options to digitize my film negatives and slides. I have an Epson V700 flatbed scanner, a Plustek Opticfilm 120 scanner, and have also tried scanning using a Fuji XT-1 APS-C (16 MP) digital mirrorless camera with both a Leitz BEOON copy stand, and more recently, using a Minolta Copy Stand II. The scan quality … Continue reading Film Digitizing Gotcha!
Tall Ships America’s Challenge Race Series returned to the Great Lakes, and Kenosha, Wisconsin acted as a host city for the weekend of 1-4 August 2019. Seven sailing vessels participated in the events, which included the Parade of Sail on 1 August, with all seven ships arriving in port under sail. The headliner ship was the Niagara, an accurate reproduction of Commodore Oliver Hazard Perry’s … Continue reading Ships and Trains at Night, and Film Reciprocity Failure
A week ago, I returned from Montana where I had attended a black & white photography workshop, “The Art of Black & White Photography,” June 9-14, sponsored by Photographer’s Formulary, in Condon, Montana, and taught by Nathan McCreery. Nathan has been a professional photographer since his college days, with work encompassing wedding, portrait, commercial and product photography; he is primarily focused today on fine art … Continue reading The Art of Black & White Photography – Workshop Review
There has been a lot of movement in my photography pursuits over the past several months; I hesitate to call it progress too quickly where it may be just manifestations of G.A.S. (gear acquisition syndrome). Nonetheless, I have made several acquisitions in support of furthering my wet darkroom capabilities, expanding my digital scanning capabilities, and may have fallen down the analog rangefinder rabbit hole. This … Continue reading Do Analog Photographers Dream of Celluloid Sheep?
Many of us involved today in the art of photography cannot remember a time when photography was not primarily a digital experience, with images taken on digital cameras, recorded on digital memory media, imported to a computer, and then processed with a favored suite of software. For many the ultimate output from this endeavor is an image viewed primarily, if not solely, on an electronic … Continue reading The Wet Darkroom Revisited